Additionally, customers who activated SpectraLayers 7 (Pro and/ord Elements) since are eligible for a grace period update to version 8. Upgrade and crossgrade prices are exclusively available through the Steinberg Online Shop – log in and check your offers. They are EUR 299 for SpectraLayers Pro 8 and EUR 80 for SpectaLayers Elements 8. Price and availability for SpectraLayers 8įrom June 23, 2021, to July 14, 2021, both editions of SpectraLayers 8 (Pro and Elements) are available at an introductory offer with 20% off the regular prices. Subscribe now Sign in or create your Steinberg ID to receive your personal activation code. Overall, version 8 is a substantial update and a viable alternative to iZotope’s RX 8 Standard spectral editing suite. Get your 30-day trial version of SpectraLayers that will allow you to try out all of the features SpectraLayers has to offer with no restrictions. The Clip Repair, Eraser, Amplifier, and pitch-shifting functionality has become faster and more accurate as well. Further enhancements include deeper ARA 2 integration to enable multiple SpectraLayers projects in a single DAW session. SpectraLayers 8 also brings dynamic visual previews of selections while drawing, saving of multiple selections within projects, and ups the supported sample rates to 384kHz. I'll show how to remove vocal from a song with Audacity vs Izotope RX8 vs Acoustica 7.Steinberg Spectralayers 8 uses AI to unmix track into stemsĪlongside the Harmonics Selection tool, users can now select harmonics automatically, based on a single selected frequency, with full control over the designated fundamental frequency and number of harmonics to be selected. Here's a rundown of the different products to help you choose
There should be a law against it, and there probably is, but don't get confused. And apart from the many other solutions I would say they have one big competitor these days: Acoustica by Acon Digital. It does work pretty good (again, so I am told). IZotope RX is the big winner here and most people recommend it for a reason. But if you spend some time with the right tools you can get good enough results, so I'm told. Really perfectly removing vox from a backing track is a fine line to walk because of phase issues and other artifacts. This is a commonly asked question and probably why there are so many solutions with chancers wanting to get in on the act. Ah well, ours is not to reason why, but what the hell y'all doing out there in music land? If I had a dollar for every time this question was asked, I'd almost have enough dollars to buy pounds.
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